Filmmaking cameras
Film cameras and Lenses used for
'Doctor Strange in the Multiverse of Madness'
Shot by DP John Mathieson on the Panavision DXL2 8K and the Red Monstro Imax cameras paired with Panavision Sphero 65 and Primo lenses. "Doctor Strange" teams up with a mysterious teenage girl from his dreams who can travel across multiverses, to battle multiple threats, including other-universe versions of himself, which threaten to wipe out millions across the multiverse.
CAMERAS
Panavision Millennium DXL2 IMAX
Panavision’s DXL2 8K camera with the RED Monstro sensor offers 16 bits of color across 35 million pixels at up to 60 fps. One of the quietest signal-to-noise ratios on the market, Monstro delivers unprecedented dynamic range and color with unmatched sensitivity.
DXL2’s class-leading feature set allows filmmakers to realize their creative vision exactly as they intend, wherever a project takes them. Panavision doesn't sell any of their cameras, they're only available through their rental service.
Red Monstro IMAX
RED's RANGER is an integrated Large Format 8K camera system offering an all-in-one system for production use. It features all of the benefits of the MONSTRO 8K VV sensor within a less complex platform for filmmakers. Features like integrated I/O's, 24V power out, shimmed PL Mount and improved thermal performance offer unmatched versatility as well as peace of mind in challenging shooting environments. The camera will ship complete with necessary rigging and support for improved set-up time.
RANGER is capable of handling the rigorous strain and robust power needs of high-end studio productions. Supporting wide input voltage (11.5V to 32V) and more independent SDI and AUX power outputs, as well as an integrated XLR audio input. The camera also boasts a larger fan for quieter and more efficient temperature management.
LENSES
Panavision Sphero 65
With subtle aberrations and rounded out-of-focus properties, Panavision Sphero 65 lenses offer distinct attributes that separate them from more clinical large-format lenses. Moderate focus roll-off and blended layers of contrast allow the lenses to capture pleasing flesh tones and a soft, classic look.
Updated with modern mechanics as well as speciality coatings to make them less susceptible to flare and glare.
Compatible with both film and digital cameras fitted with a PV 65 mount.
Panavision Primo
Panavision Primo V lenses have been specifically designed for use with 35mm-format digital cameras, delivering the classic Primo look for modern digital sensors.