Filmmaking cameras
Film camera and Lens used for
'RRR'
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DP Senthil Kumar used the large format ARRI Alexa LF camera with signature prime lenses 'for the sharpest picture quality'. "When we began working on RRR four years ago, this camera was new. I knew this camera was soon going to be used by big-budget films. With this camera, the focal point has to be correct to the last inch."
CAMERAS
Arri Alexa LF
Featuring a sensor slightly larger than full frame, the ALEXA LF camera records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore the immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.
LENSES
Arri Signature
Ranging from 12mm to 280mm, the ARRI Signature Prime lenses offer a unique look never seen before in cinema. Warm, smooth skin; open shadows with crisp blacks; and bokeh like looking through a window in the rain. The timeless look of Signature Primes will never go out of style.
Constructed with magnesium housings and aluminum gear rings, each Signature Prime is lightweight, water-resistant, and features focus marks in feet. Anti-reflective coatings, light baffles, and light traps help to minimize any internal barrel flare.