Filmmaking cameras
Film camera and Lens used for
'The hand of God'
DP D’Antonio used Red DSMC2 cameras with a Monstro 8K VV sensor. She sums up her lighting approach on this film as "very little intrusive lighting, a lot of natural light, and a commitment to exploit to the maximum the situations that presented themselves." Lenses were Arri Signature primes, which D’Antonio describes as "Beautiful. They’re precise, but also soft. They’re versatile because they’re light. In many of the situations we shot in, it was important that the lenses be comfortable to use "
CAMERAS
Red DSMC2
The camera BRAIN is the primary building block of the RED system, housing the image sensor and advanced computing components. A DSMC2® BRAIN is capable of data write speeds of 300 MB/s, can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD, and is offered with four sensor options - delivering incredible dynamic range and up to 8K resolution.
With features like cable-free peripherals, integrated media bay, wireless control, DSMC2 is the most powerful and intuitive camera to date. It is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.
LENSES
Arri Signature
Ranging from 12mm to 280mm, the ARRI Signature Prime lenses offer a unique look never seen before in cinema. Warm, smooth skin; open shadows with crisp blacks; and bokeh like looking through a window in the rain. The timeless look of Signature Primes will never go out of style.
Constructed with magnesium housings and aluminum gear rings, each Signature Prime is lightweight, water-resistant, and features focus marks in feet. Anti-reflective coatings, light baffles, and light traps help to minimize any internal barrel flare.