Filmmaking cameras
Film cameras and Lenses used for
'The terminal List Tv Series'
.jpg)
DP Armando Salas says the Arri Alexa Mini, which recorded in XQ UHD, is very sensitive and performs well in low-light situations. "Stefan Sonnenfeld and I spent several hours creating and fine-tuning the show LUTs so that I felt very confident about our digital negative. We ended up with a really filmic LUT, not overly aggressive, and I got comfortable with what we could see in the shadows. We lit for those nuances down in the toe of the curve." He shot with Leica Summilux-C and Summicron-C primes, which the cinematographer characterizes as “modern and clean without being harsh and ultra-sharp.”
CAMERAS
Arri Alexa Mini
Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.
Phantom Flex4K
The Phantom Flex4K ultra-high-speed digital camera produces 4K imagery at up to 1,000 fps. Featuring in-camera controls for menu and trigger functions, the Phantom Flex4K offers 64GB of internal storage. Our Phantom cameras are equipped with a Panavision 35 or SP70 lens mount.
Red Gemini
RED's RANGER GEMINI 5K S35 is an all-in-one camera system that features an integrated and less complex platform for filmmakers. The standardized camera body weighs around 7.5 pounds (depending on battery), supports wide input voltage (11.5V to 32V), and boasts more independent SDI and AUX power outputs as well as an integrated XLR audio input. It also has a larger fan for quieter and more efficient temperature management.
Features like integrated I/O's, 24V power out, shimmed PL Mount and improved thermal performance give users peace of mind in any shooting environment. The camera will ship complete with necessary rigging and support for improved set-up time.
RED RANGER is available with three difference sensor options: MONSTRO 8K VV, HELIUM 8K S35, and GEMINI 5K S35. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.
GoPro Hero
The GoPro HERO11, with its new,larger image sensor, captures more of the scene with higher image quality, letting you instantly share vertical shots to social media. HyperSmooth 5.0 features AutoBoost and Horizon Lock built-in, ensuring your smoothest, most stunning shots yet. New Night Effects let you get creative after dark, and 10-bit color brings all your videos to life.
Cinematic 5.3K60 + 2.7K240 video with 24.7 megapixel stills from video.
Emmy® Award-winning HyperSmooth 5.0 video stabilization with Horizon Lock.
Up to 8x slow motion.
LENSES
Leitz Summilux-C
The SUMMILUX-C lenses allow the subject to be captured as you see it without significant color temperature shifts or loss of clarity. All colors retain their natural look and feel with special care being shown to skin tones to keep them humane but without looking over sharp or flat. It’s a characteristic called creamy sharpness that can be seen as well as felt in an image.
At T 1.4 and averaging only 1.7 kg per lens, these lenses are the smallest set of fast aperture, purpose-built prime lenses available for cinematography. Their patent focus design allows for a long focus throw even on these compact lenses.
The use of exotic aspherical elements in each Summilux-lens creates a telecentric path of light from the rear element to the sensor. Telecentricity and aspheric correction not only reduce chromatic aberrations and color fringing, but also create a more even illumination across the entire field. Add in an already large image circle and the Summilux-lenses are the perfect companions for larger digital sensors like RED’s Dragon sensor.
Leitz Summicron-C
SUMMICRON-C lenses offer authentic color rendition, natural focus transitions and fall off, and a creamy sharpness that captures everything from actresses to architecture with a humane and true representation. Skin tones remain soft and smooth while hard edges and fine details retain their contrast, which makes these one of the most versatile sets of cine lenses available.
Advances in cine lens design allow the SUMMICRON-lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101 mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6 kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D.
Digital camera sensors are getting physically larger and the SUMMICRON-lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover sensors from RED Helium 8K S35 and GEMINI 5K S35, Sony and ARRI Alexa f 16:9 mode formats without performance loss in the corners or vignetting.